Describe the goal in plain words. Rollie authors the scene against your live product, films it like a cameraman, and the Critic proves the footage hits the goal. Then it re-runs forever. Your product demos itself, provably, forever.
★ 4.9/5 from the Critic · 1 take · filmed on Wikipedia — a site Rollie had never seen.
The loop

One sentence, plain words. “Show how search works.” That's your whole job.

He cases your live product like a location scout — real pages, real flows, zero instrumentation.

Human-feel cursor physics, held zooms, choreographed beats. Footage that looks hand-filmed by someone patient.

Every take is screened against the declared goal. It doesn't ship until it earns the review.
Then your product changes — and the same scene notices, re-films itself, and passes the Critic again. No re-records. No stale footage. That's the whole moat.
Tonight's showings
Real shoots, first visit, unrehearsed. Every card carries the Critic's actual verdict — stars, quote, take count. Nothing here is a mockup.
“This is a high-quality, professional-grade product demo that effectively showcases the requested features with a very natural, human-like feel.”
“This is a highly polished, professional-grade demo that perfectly achieves its goal of proving zero-instrumentation capture with a natural, human feel.”
“This is a polished, professional-grade demo that perfectly captures the intended user experience with natural, human-like interactions.”
“This is a high-quality, professional-grade product demo that perfectly captures the intended user flow with natural, human-like interaction.”
“This is a high-quality, landing-page-ready demo that effectively showcases the product's capabilities with a natural, human-like flow.”
“Cursor movement is fluid and follows a natural, human-like path with appropriate easing.”
We filmed our own product with our own product. The Critic approved.
The house specialties
“Every demo opens with yesterday's date. Let a screen recording try that.”
A half-second slate opens every film: scene, take, and the day it was shot. The date is the flex — only a tool that re-films can stamp it on every render.
Filmed Tuesday. Verified 12/12 shots. Still warm — and it says so out loud. Past its window, the badge grays out on its own: a stale badge is a lie.
“Cursor work: inspired. Modal handling: flawless.” ★★★★★ — The Critic. It doesn't ship until it earns the review.
You'll know a Rollie film anywhere. Follow the light.
Blocking. Filming. Screening. The Critic screens every take before you ever see it.
“Hi Dana — this one's for you.” Every film opens with your customer's name on the marquee.
Confetti only when the Critic says it's a wrap. Earned, never sprinkled.
The film, the chapters, the script. They can't disagree — they're the same take.
The Box Office
Priced on outcomes — scenes and verified renders, never seats. Unlimited teammates on every tier; renders are always metered, honestly.

Premiere Pass — first 100 teams only
Lock Double Feature at $19/mo or Director's Cut at $99/mo — forever. Plus 5 authored scenes on the house and a Founding badge on your end-card. When the 100 seats are gone, they're gone.
$0the free afternoon show
$39/mo, whole team
$149/mo, whole team
Honest metering, no cliffs:
Every tier includes verified renders per month. Run past the pool and each extra verified render is $0.50 — never a surprise, never a tier ambush. New scenes above your cap are $3 each. Need SSO, an SLA on freshness, and pooled everything? Studio Enterprise starts around $800/mo — ask the Usher.